Voice is distinct in writing and music. How do students put their own voice into their writing so the reader will know who is speaking? Students will draw connections between the voices in music and voices found in literature to increase their understanding of how to use voice in their writings.
In this lesson students will assign an orchestral instrument to an African animal, using characteristics which they have in common. The students will write a cinquain poem and create a poster (collage) with their African animal as the theme.
Students will gain knowledge of the life and music of Ludwig van Beethoven. Within the study, students will be able to identify and use processes important to reconstructing and reinterpreting the past by using a variety of sources; providing, validating, and weighing evidence for claims; checking credibility of sources; and searching for causality, to seek to determine the identity of Beethoven’s Immortal Beloved.
After exploring nature and country life through literature, poetry, visual art, science and social science, young children will explore feelings about nature by responding with movement to Beethoven's Symphony No. 6 in F Major, Opus 68, known as Pastoral Symphony, or Recollections of Country Life. By listening to the words of Beethoven (from documented source materials), students will become familiar with his feelings and his desire to express these feelings through his Symphony No. 6.
This lesson introduces basic communication skills by asking the following questions: What does communication mean? What do good communicators do? Selections from Fanfare for the Common Man by Aaron Copland and Carnival of the Animals by Camille Saint-Saëns will help us define musical terms and discover the answers to our questions. Following this lesson, students will have a better understanding of the definition of communication and the different aspects included in the definition.
Students will be able to relate the similarities and differences experienced by orchestra members and students of a first grade class as connected to the idea of the interdependence within a community. They will recognize that as members of a classroom community there are expectations for jobs, behavior, and intrinsic motivation to function to the best of the individual's ability.
Who are you? Where is your place in the world? These are questions that children (and adults) often ask themselves. This lesson draws parallels of self-discovery between composer Charles Ives's life story, as told in Gerstein’s What Charlie Heard, and the life of a lonely but dutiful scarecrow in Jane Yolen’s striking picture book, The Scarecrow’s Dance.
The students will describe the life of Duke Ellington and his contributions to the field of jazz. The students will create "nick names" similar to jazz performers of the 1920's by using adjectives that describe themselves. The students will create an original poem using a variety of popular vocabulary from the 1920s as well as adjectives that describe a mood they feel from listening to the musical selection. The students will create an illustration to decorate an adjective word wall in the room.
Students will improve vocabulary and writing skills by writing a sensory/descriptive story utilizing elements of both art and music as their inspiration. Students will pay close attention to the six traits of writing - editing our first drafts and making improvements in ideas and content, organization, voice, word choice, sentence fluency and conventions. Students will demonstrate an understanding of general musical terminology.
In this lesson, students are introduced to spirituals - songs created and sang by enslaved African Americans for many reasons including: expressing values, a source of inspiration and motivation, an expression of protest and coded communication. Students will listen to spirituals and sing a spiritual, then identify characteristics of spirituals. Students will decode a spiritual.
Compare and contrast Stravinsky's Rite of Spring to Vivaldi's Four Seasons, La Primavera (Spring). Pair the music of Stravinsky with the art of Edvard Munch. Pair the music of Vivaldi with the art of Claude Monet. Discuss the similarities and differences. Discuss Josef Albers’ Homage to the Square entitled “The High Spring”. Discuss how color and mood are connected. Create a color square in the style of Josef Albers to represent the pairings of Stravinsky & Munch and the pairing of Vivaldi & Monet.